Lecture 19
Good morning and welcome to LLT121 Classical Mythology. If any of you have ever had the joy of driving through South Dakota from east to west. Have any of you ever driven through South Dakota from east to west? It’s a beautiful state and I encourage you all to go there. You will find, every two miles, a sign advising you to go to Wall Drug. You are 300 miles from Wall Drug. You are 282 miles from Wall Drug. I speak from experience, here, when I say that by the time you are within five miles of Wall Drug you are a mindless, gibbering zombie. You get off the freeway at Wall, South Dakota, and you stop at Wall Drug, because it’s the only thing there. You have a glass of cold water and you eat in their cafe and shop in their fine gift shop. If you’re not careful somebody will slap a bumper sticker on your car saying, “I Visited Wall Drug.” They did this to our car, but—fortunately—it wasn’t our car. Ha! The joke was on them.
As you are leaving, if you drove to the Delphic Oracle of Apollo to consult the oracles, see the sights, bask in the belly button of the universe. If they were to slap a bumper sticker on your car as you drove out—or your chariot or your horse—it would say one of these things: “Curb thy Spirit, “ “Observe the Limit,” “Hate Hubris,” “Keep a Reverent Tongue,” “Fear Authority,” “Do Not Glory in Strength,” “Bow Down before the Divine,” and, “Keep Woman Under Rule.” These are all actually pieces of graffiti found on the walls of the Delphic Oracle. They represent, in capsule form, what the god Apollo stands for to the ancient Greeks. Gods and goddesses are up here. Humans are down here. Men are up here and women are down here. The basic line is, “avoid hubris.” Hubris is the crime of thinking you are equal to or greater than a deity is. It is punishable by death or something that is worse than death. Are there things that are worse than death? Just ask Niobe about that, folks. To a certain extent… yes, Mark. Pick two. You forgot to call me Butch. No you’re supposed to observe awe before authority. Well, I didn’t write it. Some ancient Greek about 2500 years ago wrote it. Yes, exactly. You’ve all seen the Question Authority bumper sticker somewhere or another. This one says fear it, watch out for it. Good.
The god Apollo represents the ideal of how the Greeks like to consider themselves. The epitome of brains, he’s a culture and music god. Brawn, he is a god of physical achievements. He is a hunter. He is an archer, etc. But, for all that, he never seems to get the girl. He never seems to get the guy. When he does, it isn’t for very long. It’s almost as if to say the ancient Greeks—unconsciously—are knocking Apollo down a few pegs. He is. perhaps. analogous, that beautiful handsome man or that beautiful gorgeous woman who is rich, wealthy, charming and utterly miserable all the time. Farrah Lynn? Oh, absolutely. Absolutely. Women were supposed to be chaste and avoid such things and stuff like that. I mean, Farrah Lynn, he’s Apollo, damn it. He is like the combination of Steven Hawkins's brain and Brad Pitt’s body or Mel Gibson’s body or what have you, with Ricardo Montalban’s charm.
Ovid tells us the story of Apollo and Daphne. Apollo one day—and when it’s Ovid you know it’s going to be good—Apollo boasts of his prowess as an archer. I’m the greatest archer. I’m the greatest bow and arrow dude. I killed the monster Pytho. This is a bad career move, because Cupid, that chubby-cheeked little guy with the wings on his back shoots a bow and arrow at Apollo, which is a love arrow. Once it strikes Apollo he is filled with love and desire for whatever poor female he sees next. Then Cupid picks up his bow and shoots an arrow of lead through this poor woman by the name of Daphne. She is going to fall desperately out of love and want nothing to do with whatever man she sees next. Here’s what happens. Apollo sees Daphne. He wants her badly. He wants her so badly. Daphne definitely doesn’t want Apollo. Daphne wants to hang around with Artemis in the woods doing womanly things in a feminine manner. The chase is on. If you go back and read this in the text, it’s an example of just how ridiculous an anthropomorphic deity can look. He runs after her saying, “I’m not some stupid old shepherd. I’m a god.” She keeps running away. “I’m not the son of any old god. I’m the god of archery and wisdom and music and stuff. My dad is Zeus.” She keeps running away. Then he tries the absolute worst one of all time.
He says, “I tell you what Daphne, if you promise to run more slowly, I will chase you more slowly.” Who uses that line? What famous cartoon character uses that line? Pepe Le Pew says that. “Oh, my petite cheri.” You know, that skunk who always chases a black cat who always gets a white stripe painted down her back. “Come with me and I will make love to you my sweetie. Do not run away so fast and I will chase you more slowly.” Except this is the Greek god Apollo doing it. He chases her. She prays to her father, who is a local river god. “Please change me into something real quick, dad.” Ovid says that she stretched out her arms in supplication and she felt her arms stiffen and her fingers splay out and grow leaves and stuff like that. She became the original laurel tree. Aetiology of the laurel tree. The name Daphne means laurel in ancient Greek. If that wasn’t bad enough, remember Ovid likes to make people kind of go, “uh gross” sometimes. Does he have Apollo say, “Darn. She’s a laurel tree, now. Oh well.” and walk off into the sunset? No, he’s got to make a speech. “Oh my dear beloved Daphne, if I cannot have you as a woman, you will always be with me as a tree, as my official tree.” He picks some branches off of Daphne, who is now a laurel tree you understand, and makes the first laurel wreath, and plops it on his head. He makes it the first prize for achievement at the so-called Pythian games. The Pythian games are named after the python, the pytho, the monster that he killed at Mount Delphi. They’re held every four years. Does this sound kind of familiar? Whereas other festivals like the Olympic games were purely physical or purely athletic, the games of Apollo, the Pythian games, stress not only athletics, but the intellect. They would have the no holds bars wrestling. They would have the chariot race and maybe a poetry slam. Maybe they would have poetry race, poetry wrestling or pottery juggling. The idea is that Apollo represents the quote/unquote Greek ideal of brains and brawn. Why is it that he never gets the girl? Why is it that he never gets the guy?
Apollo also gets involved in a relationship, shall we say, with a handsome Spartan lad by the name of Hyacinthus. Yes, folks, you can see where this one’s going, can’t you? No. No. No. Well, for one, it’s an aetiology. Okay? I mean your kid points to a tree and says mom how did that tree grow up? Why is that tree that kind of tree? “Uh, somebody planted it.” Your kid is going to stop asking you questions because she’s going to think, “Boy, mom doesn’t know squat. She’s boring.” So you make up some big fantastic line. Some lines are so good you just keep telling them over and over again. They very seldom change into anything else. Crystal. Actually there’s been much interesting scholarship done on just what this means. That is to say why is it most of the time that women are changed or females are changed into inanimate objects? Guys get changed into animals a lot of the time but women are often… a very dear friend of mine Dr. Elizabeth Forbes of Notre Dame University has done some very interesting research on just this thing. They never change back, but how do they perceive their voicelessness? How does it feel—oh, God—to be a tree, if you see what I’m getting at. Ovid does have another game going on here, in addition to the aetiology, but it’s taken thousands of years to chip away at just what it is. Good question, rather indifferently answered, but I tried. Phil?
Okay, we go on because we have to finish Apollo. Where is Hyacinthus going to end up, Elizabeth? Scot, Mike, somebody ought to give these goofs a botany class. Yes, thank you. One day, Apollo, who’s a god, and his friend, Hyacinthus, the lovely Spartan boy, are out throwing a discus. You know, Hyacinthus throws the discuss about say 25 feet. Apollo says, “That’s really good, Hyacinthus.” Golf clap. “My turn.” Apollo, of course, picks the discus up and throws it about 700 feet, being a god, right? Devoted little Hyacinths runs after it and it goes springing back and smacks him right in the face and he dies. That’s hilarious isn’t it, Mark? Ghoul! He dies. You are bringing up an interesting question. We’ve got miasma here; we’ve got bloodguilt. Hyacinthus is dead. We have to blame somebody. Who are we going to blame? Heather you are smiling. We already have the wind. Heather who would you blame? Clear out. Clear out. Who would you blame? Tree? Keep guessing. Are you an ancient Greek? This is the beginning of product liability.
This is hypothetical. This is not told about this myth. But it’s a known fact about ancient Greek law that, very often, when, let’s say, I climb up a ladder to change a light bulb. The ladder breaks and I fall and croak. The Athenians, for example, would put the ladder on trial. They would say, “Well, would you defend a ladder?” I mean, “I’d now like to call my client to the stand. What do you say for yourself? Let it be entered into the record that the defendant had no defense.” There’s a play of Aristophanes called The Wasps which makes fun of the Athenians passion for trials. They put a dog on trial for stealing cheese. They asked the dog what he has to say in his defense. He says, “ow, ow,” which is apparently an ancient Greek version of a dog noise. What they would do—and archeologists have excavated huge piles of these things, ladders, discuses, jars with “Guilty of murder, condemned” written on them and busted up in pieces and dumped in a pile outside the city walls. So the discus did it.
Here’s another story, shifting it into overdrive, of Apollo and Coronis. Apollo and Coronis did, in fact, make a love connection. While Apollo, who is also an auxiliary sun god, he is associated in some circles with the sun god because he’s a god of enlightenment and blah, blah, blah. Apollo and Coronis have an affair. They have a thingy. Coronis gets pregnant and Apollo goes off to work. Coronis makes the bad career move of messing around on Apollo. It’s not easy being Apollo. This white bird named the raven catches them in flagrante delicto. Let’s all say that together. That sounds really good. In flagrante delicto, that’s Latin. Do you want to know what that means? Then take Latin. He sees them in flagrante delicto and immediately reports to Apollo. “I saw Coronis and some dude in flagrante delicto.” Apollo shoots her with an arrow, but she’s pregnant. He takes the baby from her womb. He’s a little baby named Asclepius and hands him off to the nice centaur, Chiron. Chiron is part horse and part human. Chiron is the nice centaur, who trains young heroes and stuff like that. Most of them are the ancient Greek equivalent of bikers.
Asclepius grows up to be the god of medicine. Asclepius grows up to be the god of medicine and fathers several minor health divinities. Yes. Chiron, the nice centaur. Butch, your question. Yes. What did you read about him? Exactly that is called incubation. It is called temple sleep. You are supposed to go into the temple of Asclepius and visualize yourself getting well. I could lie down there and visualize my hair growing back. Then you’ll be dead and all your problems will be over. In fact, positive visualization, while it will not bring back my slightly receding hairline, is a very useful technique, not only in motivating yourself to do things, but in actually healing. If you have a positive attitude, studies have shown… I just made that up but I’m sure they would show, that you will, in fact, get better quicker. Asclepius is such a great doctor, he is so good, that he raises this guy named Hippolytus from the dead. You’re going to read about the sad story of Hippolytus over the weekend and Dr. Carawan will does a presentation on it for your benefit. Hippolytus was this guy who made the bad career move of turning down Aphrodite. Not the goddess herself but Hippolytus was kind of an uptight sort of guy who didn’t want to have sex with anybody. He wanted to hang around with Artemis and just hunt. Aphrodite got mad at him, so she made Hippolytus’s step mother fall in love with him. Yeah, Hippolytus had a stepmother named Phaedra. Very succinctly, we’ve got Hippolytus, who is the son of Theseus by his first wife. Theseus’s second wife is Phaedra, who is one of these trophy wife types, young and beautiful and stuff like that. He’s about 45, bald, fat, and paunchy. One day, when he’s off on a business trip, Aphrodite, who’s kind of mad at Hippolytus anyway, says, “I’m going to fix Hippolytus by making his stepmother fall in love with him.” Phaedra falls in love with Hippolytus. She tries not to admit it. She tries to deny it. Finally, her old nurse says, “Oh go for it, Phaedra. It can’t hurt. The worst he can do is say, ‘no.’” So she kind of hits on Hippolytus off stage. Hippolytus goes ballistic. He rants and raves and gives a misogynist credo of women. “This coin which is based upon which men find counterfeit. Why, oh, Lord Zeus, if you had decided to give sons to men, did you make the source of it be woman, blah, blah, blah.” While Hippo is doing this little rant, Phaedra slinks off and hangs herself with a little note, saying, “Hippolytus raped me.” That’s as much of the plot as I’m going to tell you.
Yes. Not much, not much. He’s about 21-22. She likes him. Read the play. Okay. Apollo has a son named Asclepius. Asclepius raises this Hippolytus from the dead. Zeus, who doesn’t like it when people are raised from the dead—he likes dead people to stay dead—throws a thunderbolt at Asclepius and fries him to a crisp. What’s Apollo going to do about it? Well, yeah, okay. If somebody kills your kid, what are you going to do about it? You got a point there, Chad. If Zeus did it, what are you going to do? You know, Bubba Smith comes to your home town and wrecks your car, you can say, “Mr. Smith, I think you....” But no, no, no. But he’s got to kill somebody; there’s some miasma going on here. Who does he kill? Hippolytus. He’s still dead. Well, he’s dead again. I killed him. I don’t like him very much. I don’t think any of you are going to like Hippolytus very much. Moosehead, what do you think? That is real close. Kill the cyclops who made the thunderbolt and kill them. Huh? Yeah, but we brought them up for this cameo. Remember, you’re expecting too much consistency from these stories. You don’t watch enough soap operas. Do any of you watch soap operas? It’s like one week the mysterious Patch is a race car driver. The next week, he’s an open heart surgeon. The next week, he’s played by a guy who’s three inches taller and has got the patch on this eye. He’s a college professor. He’s in love with Scorpia. I mean, you know, they do this stuff all the time. They do it today. That’s entertainment.
As a result, Apollo incurs miasma, for which Apollo has to atone by spending a year under the rule of King Admetus of Thessaly. This is a story I really like. Admetus is married to his queen Alcestis. They live in Thessaly. Thessaly is a region of ancient Greece. Apollo has to go off and serve them for one year. He has to be their slave. Yes. It could be very helpful to have a powerful Olympian god like Apollo as your household slave. You can say Apollo take care of my MasterCard. And he’s got it done. Admetus finds out from an oracle that he’s going to die real soon, unless… well he goes to Apollo and he has Apollo intervene for him. Apollo says, “Okay I can’t get you completely off the hook, King Admetus of Thessaly, but what I can do is get you this concession. If you can find somebody who will die in your place for you, you are off the hook.” So Admetus goes around in the beginning of this play “The Alcestis” by Euripides, king of tragedy, asking his old dad, 97 years old, “Dad, would you die for me?” “Hell, no.” “Mom, would you die for me?” “Oh, that’s just great. You think because I’m old and I’m looking for it? I’m gonna be dead soon enough. Bugger off.” And stuff like that.
Finally, he finds one person who will die for him, his wife, Alcestis. You can see all the makings of a talk show miasma here. Alcestis says, “I’ll die for you, honey.” She agrees to die for him. Admetus takes her up on the offer. “You’re so wonderful; you’re the best, babe. I’ll tell you what. I’m never going to get married again. I’ll make a statue of you and I’ll put it in bed with me when I go to sleep at night.” He really says that. “You are one babe, Alcestis.” You know. Meanwhile, it comes time for Alcestis to meet her rendezvous with death. The god Thanatos, which is Greek for death, shows up, probably dressed in black saying, “Come on Alcestis.” Alcestis says… you feel sorry for Alcestis until she starts doing the tragic heroine stuff. “I’m going to die now. I’m leaving you, but I’m marrying death.” It is a big, huge titanic guilt trip. It’s looking really dismal. He’s saying, “Bye, honey. Bye now. I’ll miss ya. Just when you think this sucks. We get what is called in theatrical parlance, deus ex machina, a god out of the machine, a god out of the stage machine. Even in ancient times, the Greeks—and the Romans stole it from the Greeks—would have this big thing up above the stage where they could reel down props if they wanted them. Sometimes, a deus ex machina, the god who stops in and makes everything cool. When the humans have bundled it into a situation—and sometimes gods, too—that there is no way out, you just reel down a deus ex machina to take care of it. The deus ex machina in this case is none other than Hercules. Now think about it. Apollo is the god of wisdom and enlightenment and junk. He just made matters worse. So, all of a sudden, Hercules is gradually.... and you have what’s his nuts, Kevin Sorbo, or whatever. And he faces off with a wrestling match with death. Thanatos tries to trip him and you know the rest. Hercules picks him up and puts him in this atomic spin hold, body slams him and says, “Get the bleep out of here.” We have a happy ending. Alcestis gets to live. Everybody is happy except for who? Why is Admetus not happy? No he doesn’t. He’s going to get something worse than death. He’s getting his wife back. Not that that’s bad, necessarily, but he’s going to have to spend the rest of his life hearing, “What do you mean we’re not going to watch a movie tonight? Hey, I’ll have you know I was willing to die for you. We’re going to go watch Out of Africa five times in a row.” Yeah, it just brings my hackles up, too. They’re going to watch all the chick movies in the world. There’s not a thing you can do because, “I was willing to die for you. Clean the house.”
Apollo as culture god. Prometheus is a culture hero in that he gives most of the rudiments of culture to mankind and to womankind. That is to say fire is a rudiment of culture, a building block, if you will. If you are to read that part in The Prometheus Bound where Prometheus is ticking off on his fingers, well, not on his fingers, obviously, his contributions to humankind. He will say he invented mathematics and engineering, reading and writing, shipbuilding and so on. Because to Aeschylus, the guy that wrote Prometheus Bound, Prometheus is a symbol of the human race’s desire to better itself. Apollo brings the refinements of humankind, the things that set apart the Greeks from barbarians. Do any of you know what the technical definition of barbarian is in ancient Greek? Real, real close, Scott. It is somebody who doesn’t speak Greek, which also included the Hebrews, ancient Egyptians, and other people who were building pyramids and cities while the ancient Greeks were still living in trees. By representing the refinements of human culture, Apollo represents the Greeks’ own fervent belief that they were infinitely more cultured than anyone else was. As opposed to Dionysus, the god of wine, partying and ecstatic possession, who had to win acceptance among the Olympians in the myths and, actually, among the Greeks to judge from all the stories where Dionysus comes into town. They deny his worship, so he has to drive everybody berserk. Apollo was regarded as one of the Olympians from the beginning. Apollo represented to the Greeks the perfect blend of brains and brawn, intellect and brute force, to which the Greek might properly aspire. On the other hand, he is awfully uptight. Apollo is definitely not the sort of god whose worship would inspire people with ecstatic joy. Curb thy spirit. Observe the limit. Hate hubris. Keep a reverent tongue. Fear authority. Do not glory in strength. Bow down before the divine, Keep woman under rule. These things, these little graffiti that are found scratched at various locations on the temple wall at Delphi, stand for everything the worship of Dionysus is against. Curb thy spirit? Let it free! Observe the limit? Ha! What limit? Hate hubris? What’s hubris? Keep a reverent tongue? No, scream at the top of your lungs. To heck with authority. Bow down before the divine? Heck, you’ve got the divine in you with enthousiasmos.
In the next set of culture myths that I’m going to recount briefly, we see Dionysus or the forces of Dionysus—the force of “let’s go crazy”—pitted against the forces of Apollo. You will recall that satyrs are lusty, zesty, shagged legged, cloven-footed dudes who hang around with Dionysus. There was one satyr by the name of Marsyas who found the double flute invented and then discarded by Athena. Athena discarded the double flute, as we’re going to find out in our next exciting class, because it made her cheeks pucker up while she played it. So she threw it away. This satyr named Marsyas picked it up. He thought it was pretty cool. Athena pounded the tar out of him for taking up her instrument. It’s kind of a hubris but Marsyas gets so good on the double flute that he challenges Apollo himself to a contest. What is the technical term for behavior like this? It is hubris. What is the punishment for hubris? It is death or something that makes you wish you were dead. Here’s what happens. They make a deal that the victor can do as he wishes with the loser. Apollo wins and decides to filet Marsyas, carve his skin off. The gore that flows from the wounds of the dead satyr Marsyas becomes a river. No some of them were other colors, as we’ll see in our next exciting myth. He also turned Marsyas’s skin into the first drum.
You may be more familiar with Midas, the king of Phrygia. Phrygia is here in the southern part of Asia Minor otherwise known as modern day Turkey. Midas is known as the golden boy with the history, the track record, of making bad career moves. Here’s what happened. One day, while Midas, the king of Phrygia, was out walking around, he found Dionysus’s drinking buddy, Silenus, the ugliest guy in the whole universe, just lying past out in his drunken stupor on the ground. Rather than roll him or beat him up or do something nasty to him, Midas made what he thought was a good career move and brought Silenus back to Dionysus. “Excuse me your godship, Dionysus, here’s your drinking buddy Silenus.” Dionysus says, “That was well done, King Midas. In return for this, Midas, I’m going to give you a favor.” Midas says, “I’d like you to give me the grace of whatever I touch turns into gold.” At first, this is really great. Zap. Golden lectern, golden chalkboard, golden half drank Pepsi bottle, etc. But, what happens when you actually want to drink the coffee? It turns into gold. What happens when your little daughter comes running up, “daddy, daddy, daddy,” and you scoop her up into your arms? “Honey?” She’s turned to gold, too. Midas is stricken by a severe dose of arti manthano. “Now I get it. Everything turns to gold.” I’ll fix you, Butch. So he goes back to Dionysus and says, “Dionysus, your godship, that was really stupid. What can I do to get rid of this curse that I wished on myself?” Dionysus says, “Oh, Midas, go bathe yourself in the river Pactolus and wash off your golden touch.” That, Mark, is why the waters of the river Pactolus are banked with golden sand. I’ve never seen the river Pactolus. I’m quite sure I never will. I’ve never even seen a picture of it, but I would be willing to bet that it has very brightly colored sand along its banks in some region or another. It’s probably very shallow, very clear with a very sandy bottom as well. When Crystal’s ancient Greek kid asks, “Mommy how can this happen?” Crystal, well go you don’t off and rant about various silicate compounds. You say, “Oh, yeah, that’s where Midas washed off his golden touch.”
How dumb is this guy, Midas? Well, he goes off into the woods to worship Pan after this. Remember that Pan is another god who is associated with Dionysus. You know, Pan’s playing the pan flute. They’re all dancing and drinking. Pan gets so impressed with himself that he challenges Apollo to a contest. This is what I call the, “Fire on the mountains, run boys run,” theme of classical mythology. With Midas, Midas is appointed as one judge. The other judge is a local mountain by the name of Tmolus. Okay, wise guy, obviously it is a semi-anthropomorphic mountain god. There was probably a face of the mountain that looked like… and they said that must be the mountain, Tmolus. So the mountain and Midas are sitting there listening to the music competition between Pan and Apollo. Pan leads off with a few sprightly selections on the pan flute. The theme of “Chariots of Fire,” or something like that. Then a band of demons joins in—just kidding. Then Apollo pulls out his lyre and he plays some beautiful music. J.R., who do you vote for? Jared, who do you vote for? Okay, good. Good for you, because here’s what happens. Apollo says, “Hey look, the mountain voted for Apollo.” How does it feel to be dumber than a rock? You may need a hat because Apollo gets so hacked off he makes Midas grow donkey ears. Says, “Since you are no judge of music...” he gives him asses ears. Probably wiping the smile right off his face. Okay, now he’s kind of hacked.
He’s the king of Phrygia. He obviously can’t go around with donkey ears flapping out of his head. What do you do? If you are a person of hair and your hair is not behaving itself. What do you do? You wear a hat. So Midas was said to have invented the turban. He would fold his ears up under his hat. Pretty soon everybody in Phrygia was wearing them. They didn’t know why they were wearing them. The problem is that Midas’s hair would get kind of skanky after awhile. He’d have to go to the royal barber to get his haircut. Obviously the royal barber would know the secret, right? Are you following me? So Midas said, “Barber, if you tell anybody about my ears, something very, very bad is going to happen to you.” For a while that worked, but I’d be willing to bet that everybody in this room is now or has been in possession of a secret that is just so good that you have to share it with someone. You can’t be the only person in the world who knows this secret. Have you ever been there, Heather? You think, “I’ve got to tell somebody,” but, if you tell somebody, you get killed. So here’s what the guy did. He dug a hole in the ground. The best place to dig a hole is in the ground. He whispered into it, “King Midas has ass’s ears.” Then he buried it. Some reeds grew up on the spot, and you guessed it. When the wind whistles through the reeds at night, you can still hear them saying in ancient Greek, “King Midas has ass’s ears.” That’s the end of the stories about Apollo and Dionysus. He’s a cultured, uptight, get-a-grip sort of god. In our next exciting meeting we will talk—or I will talk very rapidly—about Athena and Hermes. I’ll see you later. Have a nice day.
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