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Robert Frost

Robert Frost

 

 

Robert Frost

Robert Frost: 1874-1963

Life and Works:

  • Born in California and lived there until age 11, when his father died and his mother moved the family to New England
  • Saw and presented himself as a New Englander
  • 1891: Graduates high school as co-valedictorian with Elinor White, whom he marries three years later
  • Over the next twenty years, he attends college, teaches, works in mills, tries to run a dairy farm
  • 1912: Moves his family (now includes four children) to England and concentrates on his poetry
  • 1913: A Boy’s Will
  • 1914: North of Boston
  • Earns good critical reception and is encouraged to return to the U.S.
  • Prospers financially through sale of books, teaching, and lecturing
  • Wins Pulitzer for poetry in 1924, 1931, 1937, and 1943
  • State Department sends him to South America, England, and Russia as a “good-will ambassador”
  • Reads at John F. Kennedy’s inauguration in 1961
  • Does suffer personal setbacks, though, including the suicide of his only son and the severe mental illness of a daughter

Criticism, etc.:

  • Serves as a bridge between the nineteenth-century poets and the modernists
  • Nineteenth-Century:
    • He might remind readers of the Transcendentalists, but he didn’t share their beliefs completely: “…he is far less affirmative about the universe than they; for where they, looking at nature, discerned a benign creator, he saw ‘no expression, nothing to express’” (1775)
    • He did share their suspicion of collective enterprises, which he felt weakened the individual
  • Modernists:
    • His “clear diction, the colloquial rhythms, the simplicity of his images, and above all the folksy speaker—these are intended to make the poems look natural, unplanned” (Baym 1774-75)
    • “In the context of the modernist movement, however, they can be seen as a thoughtful reply to high modernism’s fondness for obscurity and difficulty” (Baym 1775)
    • “How was writing the kind of traditional, accessible poetry that modernists argued could no longer be written” (1775)
  • Frost used traditional forms, seeing them (and poetry) as a way to resist ongoing change and decay. For Frost, poetry was “‘one step backward taken…a momentary stay against confusion’” (qtd. in Baym 1775)
  • His essay “The Figure a Poem Makes:” he emphasizes that a poem “‘begins in delight and ends in wisdom…it runs a course of lucky events, and ends in a clarification of life—not necessarily a great clarification, such as sects and cults are founded on, but in a momentary stay against confusion’” (qtd. in Guimond 1800)

Works Cited
Baym, Nina, Editor. The Norton Anthology of American Literature, Volume D. New York: W.W. Norton and Company, 2003.
Guimond, James. “Robert Frost.” The Heath Anthology of American Literature: Concise Edition. Ed Paul Lauter. Boston: Houghton Mifflin Company, 2004. 1799-1800.

 

Source: http://webpages.shepherd.edu/hhanraha/courses/eng204/204notes/frost.doc

Web site to visit: http://webpages.shepherd.edu

Author of the text: indicated on the source document of the above text

The Tuft of Flowers – by Robert Frost
I went to turn the grass once after one
Who mowed it in the dew before the sun.

The dew was gone that made his blade so keen
Before I came to view the levelled scene.

I looked for him behind an isle of trees;
I listened for his whetstone on the breeze.

But he had gone his way, the grass all mown,
And I must be, as he had been,--alone,

`As all must be,' I said within my heart,
`Whether they work together or apart.'

But as I said it, swift there passed me by
On noiseless wing a 'wildered butterfly,

Seeking with memories grown dim o'er night
Some resting flower of yesterday's delight.

And once I marked his flight go round and round,
As where some flower lay withering on the ground.

And then he flew as far as eye could see,
And then on tremulous wing came back to me.

I thought of questions that have no reply,
And would have turned to toss the grass to dry;

But he turned first, and led my eye to look
At a tall tuft of flowers beside a brook,

A leaping tongue of bloom the scythe had spared
Beside a reedy brook the scythe had bared.

I left my place to know them by their name,
Finding them butterfly weed when I came.

The mower in the dew had loved them thus,
By leaving them to flourish, not for us,

Nor yet to draw one thought of ours to him.
But from sheer morning gladness at the brim.

The butterfly and I had lit upon,
Nevertheless, a message from the dawn,

That made me hear the wakening birds around,
And hear his long scythe whispering to the ground,

And feel a spirit kindred to my own;
So that henceforth I worked no more alone;

But glad with him, I worked as with his aid,
And weary, sought at noon with him the shade;

And dreaming, as it were, held brotherly speech
With one whose thought I had not hoped to reach.
Men work together,' I told him from the heart,
`Whether they work together or apart.'

Mending Wall – Robert Frost
Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun,
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs. The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
'Stay where you are until our backs are turned!'
We wear our fingers rough with handling them.
Oh, just another kind of out-door game,
One on a side. It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, 'Good fences make good neighbors'.
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
'Why do they make good neighbors? Isn't it
Where there are cows?
But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offence.
Something there is that doesn't love a wall,
That wants it down.' I could say 'Elves' to him,
But it's not elves exactly, and I'd rather
He said it for himself. I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me~
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, "Good fences make good neighbors."

 

Birches – by Robert Frost
When I see birches bend to left and right
Across the lines of straighter darker trees,
I like to think some boy's been swinging them.
But swinging doesn't bend them down to stay
As ice-storms do. Often you must have seen them
Loaded with ice a sunny winter morning
After a rain. They click upon themselves
As the breeze rises, and turn many-colored
As the stir cracks and crazes their enamel.
Soon the sun's warmth makes them shed crystal shells
Shattering and avalanching on the snow-crust—
Such heaps of broken glass to sweep away
You'd think the inner dome of heaven had fallen.
They are dragged to the withered bracken by the load,
And they seem not to break; though once they are bowed
So low for long, they never right themselves:
You may see their trunks arching in the woods
Years afterwards, trailing their leaves on the ground
Like girls on hands and knees that throw their hair
Before them over their heads to dry in the sun.
But I was going to say when Truth broke in
With all her matter-of-fact about the ice-storm
I should prefer to have some boy bend them
As he went out and in to fetch the cows—
Some boy too far from town to learn baseball,
Whose only play was what he found himself,
Summer or winter, and could play alone.
One by one he subdued his father's trees
By riding them down over and over again
Until he took the stiffness out of them,
And not one but hung limp, not one was left
For him to conquer. He learned all there was
To learn about not launching out too soon
And so not carrying the tree away
Clear to the ground. He always kept his poise
To the top branches, climbing carefully
With the same pains you use to fill a cup
Up to the brim, and even above the brim.
Then he flung outward, feet first, with a swish,
Kicking his way down through the air to the ground.
So was I once myself a swinger of birches.
And so I dream of going back to be.
It's when I'm weary of considerations,
And life is too much like a pathless wood
Where your face burns and tickles with the cobwebs
Broken across it, and one eye is weeping
From a twig's having lashed across it open.
I'd like to get away from earth awhile
And then come back to it and begin over.
May no fate willfully misunderstand me
And half grant what I wish and snatch me away
Not to return. Earth's the right place for love:
I don't know where it's likely to go better.
I'd like to go by climbing a birch tree,
And climb black branches up a snow-white trunk
Toward heaven, till the tree could bear no more,
But dipped its top and set me down again.
That would be good both going and coming back.
One could do worse than be a swinger of birches.

After Apple Picking – by Robert Frost

My long two-pointed ladder's sticking through a tree
Toward heaven still,
And there's a barrel that I didn't fill
Beside it, and there may be two or three
Apples I didn't pick upon some bough.
But I am done with apple-picking now.
Essence of winter sleep is on the night,
The scent of apples: I am drowsing off.
I cannot rub the strangeness from my sight
I got from looking through a pane of glass
I skimmed this morning from the drinking trough
And held against the world of hoary grass.
It melted, and I let it fall and break.
But I was well
Upon my way to sleep before it fell,
And I could tell
What form my dreaming was about to take.
Magnified apples appear and disappear,
Stem end and blossom end,
And every fleck of russet showing clear.
My instep arch not only keeps the ache,
It keeps the pressure of a ladder-round.
I feel the ladder sway as the boughs bend.
And I keep hearing from the cellar bin
The rumbling sound
Of load on load of apples coming in.
For I have had too much
Of apple-picking: I am overtired
Of the great harvest I myself desired.
There were ten thousand thousand fruit to touch,
Cherish in hand, lift down, and not let fall.
For all
That struck the earth,
No matter if not bruised or spiked with stubble,
Went surely to the cider-apple heap
As of no worth.
One can see what will trouble
This sleep of mine, whatever sleep it is.
Were he not gone,
The woodchuck could say whether it's like his
Long sleep, as I describe its coming on,
Or just some human sleep.

 

Source: http://theblacktavern.com/Frost%20Poems.doc

Web site to visit: http://theblacktavern.com

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Robert Frost

 

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Robert Frost